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After Approach to Mundi Mundi, the first gallery presents a display of modern indigenous art, representing a tradition stretching back tens of thousands of years before the first Europeans even glimpsed the Australian mainland at the start of the 17th century. This is a clever move on the part of the curators, since these enormous, dazzling paintings are far more exciting than the tight, narrow-minded little pictures from the early colonial period that follow — and which, if the exhibition’s chronological arc had been strictly adhered to, should have come first.
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